Laws of motion were given by Newton, just as the law of gravitation. There is no first law of gravitation in science, there is one universal law of gravitation, but there are three laws of motion. Sandhya, then, talks about gu rutvakarshan ka pehla niyam. Gravity is a very weak force, while love, as Gandhi said, " Love is the strongest force the world possesses and yet it is the humblest imaginable can make." The difference between the two forces is that gravity can be measured, while love cannot be measured. Moh-another word for an invisible force-that attracts one person to other. She is trying to attract Prem's prem towards her. It is also worth noting that Prem means love.
Sandhya is trying to bring Prem closer to her, and reduce the distance (both physical and emotional, in this case). Gravitational force increases by reducing the physical distance between the objects, while love increases by reducing the emotional distance between the lovers. Both gravity and love are attractive forces. Both gravity and love are non-contact forces, meaning that they do not require objects to be in contact with each other. The similarities between gravity and love are quite interesting. In a sense, we can also compare gravity to love. Prem, due to his low mass and low stature, is the one that does not increase the force between the two. This can be used to imply that given her more mass, her force of attraction towards Prem is much stronger. More mass also refers to Sandhya's much stronger intellectual capability than that of Prem. In this context, Sandhya is the one with the more mass, in fact, the film makes it a point to show her overweight, and call hers fat at many times in the film. As we know, gurutvakarshan or the force of gravity is directly proportional to the mass of the objects, and inversely proportional to the distance between them. Because in trying to attract one other, they remain at the same place.īased on the above, a scientific element that can be read on the story of the film. But why do objects not move towards each other, and stay at the same place. Gurutvakarshan ka pehla niyam, lekin kyun vo ek dusre ki aur aage nahi badte, kyun thame rehte hai apni hi jagah, kyunki dono ek dusre ko apni aur kheenchne ki koshish me vahi ke vahi khade reh jate hai." All objects on earth are attracted to one other due to the law of gravity. She says, " Prithvi ki har vastu, har dusri vastu ki aur aakarshit hoti hai. Interestingly, the topic that she chooses to describe is nothing but again the law of gravity. Immediately after this discourse, we see Sandhya walking to an empty classroom, and practicing to take a lecture. Prem says, " Koi ilaaj nahi hai, shakha babu, meri kuntha ka." His teacher replies, " Yeh gurutvakarshan na hai, aakarshan hai grahasth jeevan ka." In the sense, Prem says that a gravitational pull is sucking him towards Sandhya, and his teacher says, it is not gravity, but the pleasure of sexual gratification to which he is attracted. In the next scene, Prem and his teacher keep discussing the same issue. Therefore, we learn that gurutvakarshan is a force of attraction by virtue of being massive (or having mass), that is the force of gravity. Gurutva is the abstract noun derived from the adjective guru, that means something that is big, large, or massive, while aakarshan means attraction. Using the same concept on gurutvakarshan, we can see that the word is derived from two words- gurutva and aakarshan. Going back to the grammar classes, there was something called sandhi vichched where a word is broken into its component words. Actually, the word is used to describe gravity in Hindi. Gurutvakarshan-गुरुत्वाकर्षण-is the word that he uses to describe his attraction. Yeh grahasth jeevan ka gurutvakarshan daldal me mujhe kheench ke rahega." This is the scene sequence after the night where Prem is not able to control himself, and tells his teacher that he consummated his marriage with Sandhya (Bhumi Pednekar).
At one point in the film, Prem (Ayushmann Khurrana) is talking with his shakha teacher, and says, " Kal raat ko apni na sun saka. There is a scene in Sharat Katariya's award-winning Dum Laga Ke Haisha that I have been trying to decipher ever since I have watched it.